Malai kumAri kapAlina nAraNi: She is the daughter of HimavAn She holds the skull in Her hand She is the virtuous sister of Narayana known as Narayani Samara neeli purAritha nAyaki: She is Goddess Durga, a capable warrior She is the Consort of Lord SivA who burnt down Thiripuram GuruparAri vihAri namOhari abirAmi: She is like the eye of the Great Master, Lord SivA She assumes diverse forms She is worshipped by all She is exquisitely beautiful Ulaga dhAri udhAri parApari: She is the mother who conceives the universe and protects it She is compassionate She is primordial
KuRaLu rUpa murAri sahOdhari: She is the sister of the Lord Vishnu who took the dwarf (VAmana) form Kodiya sUli sudAraNi yAmaLi mahamAyi: She holds a powerful trident in Her hand She is in the form of an effulgence She has the complexion of emerald green She is the Greatest Delusion Gavuri mOdi surAri nirApari: She has names like Gowri and Durga (Modi) She is like the eye of the Celestials She is bereft of any falsehood Kumari kALi varAhi mahEsuri: She is in the form of a belle She is KALi She is VarAgi She is the Great Goddess Theruvin meethuku lAviyu lAvikaL: and some openly flirting whores loafing about in the streets.ĪvarkaL mAyaipa dAmalke dAmalni naruLthArAy: Please protect me from their deceptive actions and preserve my purity by bestowing Your grace on me. UraikURum asadu mAtharku vAthusol kEdikaL: so speak the stupid call girls also there are some belligerent troublemakers
PoruLu LAraiye nANaiyu nANaiyenaruku veedithu thAnathil vArumen: They address rich people saying "My duty is your command my home is close by why don't you come in?" perumALE.Īmutha mURuso lAkiya thOkaiyar: The girls, beautiful like peacock, speak sweet words soaked in nectar. nuraikURumĪvarkaL mAyaipa dAmalke dAmalni. Song 384 - amudham URu sol (thiruvaNNAmalai) It would have been great if the contributions of the family and Sri Vallimalai Swamigal have also been added to this documentary that could have a wider reach among youngsters.னருகு வீடிது தானதில் வாருமெ. They dedicated their entire lives to unearthing hundred of songs from hidden treasures of palm leaves and other inscriptions. While the contributions of the Oduvar traditions to keeping Thiruppugazh alive through their oral traditions has been covered in this production, I would also like to note that Thiruppugazh was brought to light by the great efforts of Sri Vadukkapattu Subramanian, and his son Sri Thanigaimani Chengalvarayan (referred to as the Thiruppugazh family). My appreciations and admiration for your inner seeking to understand the true origins of Thiruppugazh and your inspired orchestra compositions that gave a new and modern hues to the 15th century Tamil compositions.
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